38 Scariest And Best Horror Movies on Netflix Right Now

Netflix’s horror movie collection in 2024 presents a diverse array of films that cater to various tastes. Although the platform’s library includes some low-budget, direct-to-VOD titles, it also offers a selection of quality and modern horror films. Notable titles include “The Babysitter” and the unsettling “The Wailing.” For those seeking recent additions, Netflix features films like “His House” and the “Fear Street” trilogy. Find Out 38 best Horror Movies on Netflix you can stream right now.

While iconic horror franchises like “Halloween” and “Friday the 13th” may be absent, there are must-watch series such as “The Haunting of Hill House” and “Cabinet of Curiosities.” These series provide a rich experience for those craving horror content, even if they aren’t traditional films. Netflix’s horror offerings remain a valuable resource for enthusiasts looking for a mix of comedic, obscure, and contemporary scares.

1. The Fall of the House of Usher

• Release Date: October 12, 2023
• Director: Michael Fimognari and Mike Flanagan
• Cast: Carla Gugino, Bruce Greenwood, Mary McDonnell and Henry Thomas
• Genre: Drama, Horror, Mystery
• IMDb Rating: 7.9/10
• Runtime: 1h 2m

The Fall of the House of Usher, directed by Mike Flanagan, premiered in 2023 and quickly captured audiences with its unique blend of gothic horror and emotional storytelling. This miniseries, starring Bruce Greenwood, Mary McDonnell, Carla Gugino, Kate Siegel, Henry Thomas, Zach Gilford, Carl Lumbly, and Mark Hamill, is available for streaming on Netflix.

Mike Flanagan is renowned for exploring emotional depths and unspoken fears. Unlike typical horror creators, he taps into real-life dilemmas, making his work more compelling. His stories delve into themes like faith, love, and death, creating a horror universe that resonates deeply with viewers.

The series is inspired by Edgar Allan Poe’s short story about the Usher siblings. Flanagan cleverly intertwines elements from other Poe works such as “The Tell-Tale Heart,” “The Raven,” and “The Masque of the Red Death.” These references are woven into the narrative, ranging from character names to direct poetry recitations.

The storyline reflects Poe’s fascination with topics like guilt, death, paranoia, obsession, and delusion. It combines elements of horror with modern critiques, drawing parallels to shows like Succession. The story portrays a wealthy family’s moral decay and the slow, inevitable decline as each member faces their demise.

This miniseries is a unique blend of horror and dark comedy, critiquing the ultra-wealthy while drawing the viewer into a harrowing family saga. The layers of Poe’s influence and Flanagan’s distinct storytelling create a poignant and gripping watch. The Fall of the House of Usher is a must-watch for those who appreciate a well-crafted horror drama.

2. Midnight Mass

• Release Date: September 24, 2021
• Director: Mike Flanagan
• Cast: Kate Siegel, Zach Gilford, Kristin Lehman and Samantha Sloyan
• Genre: Drama, Fantasy, Horror
• IMDb Rating: 7.7/10
• Runtime: 1h 4m

Set on Crockett Island, the setting of Midnight Mass is steeped in a sense of despair and neglect. The recent oil spill has devastated the island’s fishing economy, pushing the remaining residents into deeper hardship. Their homes show signs of heavy wear, indicating the harsh reality of their living conditions. Only a few ferries connect the island with the mainland, emphasizing their isolation.

The seven-episode series created by Mike Flanagan, known for The Haunting, shifts its focus from external horrors to the internal struggles of its characters. The claustrophobic environment of Crockett Island mirrors the internal turmoil of the islanders, highlighting themes of addiction, hidden pasts, and the quest for redemption and belief.

Midnight Mass explores Catholic guilt, portraying it as both a source of inner conflict and a reflection of broader societal issues. The show delves into group psychology, examining the need for faith during times of sorrow and the ethical implications of leadership. The characters grapple with the question of whether human tendencies towards good and evil are innate or simply a response to their circumstances.

With its focus on internal struggles and the supernatural, the series invites viewers to question their own beliefs. An intriguing aspect of the show is its ability to blur the lines between miracles and supernatural events, challenging the audience to ponder their understanding of faith and skepticism.

3. The Autopsy of Jane Doe

• Release Date: December 21, 2016
• Director: André Øvredal
• Cast: Brian Cox, Emile Hirsch, Ophelia Lovibond and Michael McElhatton
• Genre: Horror, Mystery, Thriller
• IMDb Rating: 6.8/10
• Runtime: 1h 26m

In the horror movie The Autopsy of Jane Doe, a father and son who work as coroners are faced with a puzzling case. This film, directed by André Øvredal, uses its storyline to hint at deeper themes about the overlooked struggles of women. The main characters, played by Emile Hirsch and Brian Cox, perform an autopsy on an unidentified woman labeled Jane Doe. As they examine her body, they uncover unsettling secrets and supernatural occurrences.

The movie effectively portrays the concept of hidden trauma. Although the narrative is fictional, it echoes real-life issues where underlying pain and suffering go unnoticed.

The film has been praised for its suspense and chilling atmosphere. It delves into themes of unseen agony, and how individuals often miss the depth of others’ pain. With well-executed performances and an engaging storyline, The Autopsy of Jane Doe stands out as a notable entry in the supernatural horror genre. It’s a movie that keeps viewers on edge and prompts thought about the invisible struggles people endure.

4. Creep

• Release Date: June 23, 2015
• Director: Patrick Brice
• Cast: Katie Aselton, Patrick Brice and Mark Duplass
• Genre: Horror, Thriller
• IMDb Rating: 6.3/10
• Runtime: 1h 17m

Creep is a gripping horror film marking the directorial debut of Patrick Brice. This indie movie features Mark Duplass in a standout performance, transitioning seamlessly from charming to unsettling. The film follows a naive videographer who is hired by a reclusive and deeply disturbed man to document his life in a remote cabin. Despite the seemingly predictable plot, Creep excels in creating an atmosphere of mounting tension and dread.

The strength of the film lies in the dynamic between its two main characters. Duplass shines as the unhinged recluse who manipulates his way into the videographer’s life, making each interaction fraught with an awkward and palpable intensity. One can compare the film’s chilling exchanges to the taut dialogue seen in Ex Machina between Domhnall Gleeson and Oscar Isaac.

The performances are the heart and soul of Creep, making it a well-crafted and compelling horror experience. Despite its simple premise, the film maintains a tone that keeps viewers engaged through the excellent acting and unsettling atmosphere.

Creep stands out as an exemplary indie horror film, showcasing the powerful chemistry and engaging performances of its cast.

5. The Conjuring

• Release Date: July 19, 2013
• Director: James Wan
• Cast: Vera Farmiga, Patrick Wilson, Lili Taylor and Ron Livingston
• Genre: Horror, Mystery, Thriller
• IMDb Rating: 7.5/10
• Runtime: 1h 52m

James Wan, known for creating notable horror franchises like Saw and Insidious, directed The Conjuring. This film is often considered one of his scariest works. It uniquely blends mainstream appeal with artistic flair, a quality reminiscent of Steven Spielberg’s ability to capture broad audiences without losing depth in characterization.

The Conjuring presents a haunted house and possession narrative set in an old farmstead in Rhode Island. Although haunted house stories are common, few match the stylish execution seen in this film. Wan excels at playing with audience expectations, delivering scares unexpectedly and avoiding typical jump scare setups. This approach channels the spirit of classic ghost stories, such as Robert Wise’s The Haunting.

The film’s impressive intensity and special effects elevate it above many PG-13 horror films of its time. It is notable that despite lacking explicit violence, gore, or sexuality, The Conjuring received an R rating purely based on its fear factor. This distinction highlights the film’s effectiveness in delivering genuine horror.

Wan’s direction in The Conjuring showcases his ability to create deeply frightening cinematic experiences that remain memorable. The film stands out as a testament to Wan’s skill in the horror genre, making it a significant entry in his filmography.

6. I’m Thinking of Ending Things

• Release Date: August 28, 2020
• Director: Charlie Kaufman
• Cast: Jesse Plemons, Jessie Buckley, Toni Collette and David Thewlis
• Genre: Drama, Thriller
• IMDb Rating: 6.5/10
• Runtime: 2h 14m

I’m Thinking of Ending Things, a 2020 film directed by Charlie Kaufman, is a unique cinematic piece that defies conventional movie norms. The film stars Jessie Buckley, Jesse Plemons, Toni Collette, and David Thewlis. Buckley’s character, whose name varies throughout the film, ponders the end of her relationship with Plemons’ character, Jake, during a visit to his parents’ remote farmhouse.

The story begins in an unsettling manner. Jessie Buckley’s character is introduced mid-narration, describing an obscure situation that leaves the audience disoriented. This off-kilter beginning sets the tone for the rest of the movie, creating an atmosphere of unease.

As the narrative unfolds, viewers are introduced to Jessie Buckley’s character standing in falling snow, looking up at a window with an old man gazing back. Moments later, Jesse Plemons’ Jake appears, picking up Jessie Buckley’s character in his worn-out car. Their journey is marked by reflective conversations and odd behaviors, indicating that something is amiss.

Jake’s mannerisms are mostly consistent but occasionally interrupted by strange behaviors, hinting at deeper psychological undertones. Jessie Buckley’s character displays varied personalities and interests—sometimes a painter, sometimes a physicist—further adding to the film’s enigmatic nature.

A significant portion of the film takes place in the claustrophobic setting of Jake’s parents’ farmhouse. The parents, played by Toni Collette and David Thewlis, add to the eerie atmosphere with their bizarre and sometimes unsettling behaviors. The house itself becomes a character, filled with unsettling interiors that contribute to the film’s overall feeling of unease.

The film’s structure defies traditional narrative forms. Kaufman’s direction focuses on the introspective journey of the characters, emphasizing mental and emotional states over plot-driven action. This approach makes the film challenging but also compelling for those who appreciate a deeper psychological exploration.

Visually, the film uses stark, cold imagery to enhance the mood. Snow-covered landscapes, dimly lit interiors, and close-up shots create a sense of intimacy and isolation. The cinematography complements the narrative, reinforcing the themes of disconnection and introspection.

Musically, the film’s score fluctuates between whimsical and haunting, mirroring the changing moods of the characters. The music accentuates the psychological tension and helps in building an immersive experience for the audience.

The performances by Jessie Buckley and Jesse Plemons are noteworthy, as they navigate their complex characters with depth and subtlety. Their dynamic is both captivating and unsettling, contributing significantly to the film’s atmosphere.

In summary, I’m Thinking of Ending Things stands out for its unconventional approach. It challenges viewers to think deeply about identity, memory, and the human condition. The film’s deliberate pacing, introspective focus, and haunting visuals create a unique cinematic experience. It might not be for everyone, but for those seeking a thought-provoking film, it offers a compelling journey into the complexities of the mind.

7. Cabinet of Curiosities

• Release Date: October 25, 2022
• Director: Ana Lily Amirpour
• Cast: Lize Johnston, Kevin Keppy, Essie Davis and Kate Micucci
• Genre: Drama, Horror, Mystery
• IMDb Rating: 7.0/10
• Runtime: 60m

Guillermo del Toro’s Cabinet of Curiosities debuted on Netflix in 2022. This horror anthology series features eight distinct episodes, each helmed by a different director. The directors include Guillermo Navarro, David Prior, and Jennifer Kent, among others. These filmmakers bring their unique stylistic touches to the table, making each episode visually stunning and richly crafted.

A notable aspect of the series is its stellar cast, featuring actors like Tim Blake Nelson, Andrew Lincoln, Essie Davis, and F. Murray Abraham. Their performances add depth and authenticity to the chilling tales. The series is not rated (NR), which allows for a wide range of storytelling without being confined to specific content restrictions.

The show is introduced by del Toro himself, who acts as the host. He presents each story by pulling a trinket from a cabinet, setting the stage for the eerie narratives that follow. This framing device adds a personal touch from del Toro, connecting his love for the genre with the viewer.

The visuals and production design of Cabinet of Curiosities are significant highlights. Whether it’s through intricate set designs, meticulous costumes, or inventive special effects, each episode is a feast for the eyes. The series showcases some of the best cinematic craftsmanship seen on streaming platforms, demonstrating remarkable attention to detail.

Despite the individual directors’ varied approaches, all episodes maintain a high level of craftsmanship and horror. This unity in quality is a testament to del Toro’s influence and the talented pool of directors. Even though del Toro only co-wrote two episodes, his stamp is evident throughout the series.

The combination of top-tier directors, an impressive cast, and del Toro’s guiding presence makes Cabinet of Curiosities an enjoyable watch for horror enthusiasts. The series blends traditional horror elements with sophisticated filmmaking, appealing to both hardcore genre fans and casual viewers looking for high-quality content.

8. Creep 2

• Release Date: October 24, 2017
• Director: Patrick Brice
• Cast: Karan Soni, Mark Duplass, Desiree Akhavan and Kyle Field
• Genre: Crime, Drama, Horror
• IMDb Rating: 6.4/10
• Runtime: 1h 18m

Creep 2 stands out as an unusual sequel that delves much deeper into its characters than the original. The story focuses on Aaron, played by Mark Duplass, a serial killer who feels disconnected from his gruesome acts, losing the passion that once drove him. This film shifts away from being merely a horror movie, becoming more of an intense drama that explores trust and vulnerability between two individuals.

Sara, portrayed by Desiree Akhavan, is the other main character in this story. Unlike typical horror movie victims, she forms an unexpected and emotional connection with Aaron. Their relationship is built on a complex interaction of trust and manipulation, creating a rich and unexpected narrative.

Throughout the movie, both actors deliver performances that are both emotionally charged and authentic. They unveil their characters’ deepest fears and desires, offering a glimpse into what makes them tick. This connection makes Creep 2 more than just a follow-up to a horror film; it becomes a compelling study of human interaction under extreme circumstances.

The shift in tone from the first film is evident as Creep 2 focuses more on character development and psychological depth. The unique bond between Aaron and Sara is central, allowing audiences to see a side of Aaron that is both terrifying and oddly relatable.

This film is a refreshing take on the horror genre, providing a story that is both disturbing and deeply human. Creep 2 challenges the conventions of horror, making it a must-watch for those looking for a film that goes beyond the usual scares.

9. Bodies Bodies Bodies

• Release Date: August 5, 2022
• Director: Halina Reijn
• Cast: Amandla Stenberg, Maria Bakalova, Myha’la, Rachel Sennott and Chase Sui Wonders
• Genre: Comedy, Horror, Mystery
• IMDb Rating: 6.2/10
• Runtime: 1h 34m

Released in 2022, Bodies Bodies Bodies is a film directed by Halina Reijn that delves into the chaotic dynamics of a friend group during a hurricane lockdown. The star-studded cast includes Maria Bakalova, Amandla Stenberg, Rachel Sennott, Pete Davidson, Lee Pace, Chase Sui Wonders, and Myha’la Herrold. Rated R, the movie masterfully combines horror and dark comedy.

The plot centers around a new couple, Sophie (Amandla Stenberg) and Bee (Maria Bakalova), who head to a party filled with drugs and booze to wait out a hurricane. The gathering is hosted by Sophie’s friends. Among them are Emma (Chase Sui Wonders), David (Pete Davidson), Alice (Rachel Sennott), Greg (Lee Pace), and Jordan (Myha’la Herrold). Each character brings their unique quirks and tensions to the group.

From the outset, the social atmosphere is rife with conflict. The characters’ interactions quickly escalate into emotional confrontations. Sophie’s history with Jordan and the evident mismatch between David and Emma heighten the drama. The tension builds as they decide to play a game that involves pretending to kill each other, which sets the stage for real chaos to unfold.

Bodies Bodies Bodies is a visual spectacle, featuring bold title cards and a high-energy soundtrack filled with club hits. These stylistic choices draw comparisons to movies like The Bling Ring. The film stands out with its unique spin on the murder mystery genre, appealing to contemporary audiences through its engaging narrative and clever execution.

Despite the mayhem, the film crafts a controlled narrative that maintains a balance between horror and humor. The characters’ exaggerated traits and the escalating chaos create an ambiance of suspense. The film’s ability to blend these elements effectively makes it a noteworthy addition to the genre.

The performances of the cast elevate the film, each actor bringing depth to their roles. The interactions feel authentic, and the story, while chaotic, is coherent. The film’s examination of modern social dynamics and its impact on relationships resonate well with the audience, marking it as a significant release of its time.

Bodies Bodies Bodies leaves a lasting impression through its innovative approach, memorable characters, and gripping storyline. The combination of sharp dialogue, dynamic performances, and the atmospheric tension ensures its place as a standout horror-comedy. The film may serve as a milestone for contemporary horror narratives, pushing the boundaries of the genre while remaining true to its roots.

10. The Wailing

• Release Date: May 20, 2016
• Director: Na Hong-jin
• Cast: Kwak Do-won, Hwang Jung-min, Jun Kunimura and Chun Woo-hee
• Genre: Drama, Horror, Mystery
• IMDb Rating: 7.4/10
• Runtime: 2h 36m

The Wailing transforms a quiet rural village into a landscape of spiritual turmoil. Set in Gokseong County, a serene farming community in South Korea, the film uses this peaceful backdrop to amplify the chaos that ensues. The director and cinematographer, Hong Kyung-pyo, skillfully juxtapose the lush, tranquil scenery with sudden bursts of horror, creating a striking contrast.

The story begins with Sergeant Jeon Jong-gu, played by Kwak Do-won, responding to a gruesome multiple murder scene. The calm is shattered as he arrives to find pandemonium: screams, chaos, and a killer covered in oozing boils, seemingly oblivious to the frenzy around them. This scene sets the tone for the entire movie, where disbelief and doubt are more disturbing than the blood and gore.

Na Hong-jin’s approach to horror is not traditional. Instead of relying solely on visual frights, he delves into existential dread and moral decay. Jong-gu, the protagonist, finds his faith and perceptions challenged by a series of divine and infernal tests. This erosion of certainty is central to the film, making it a deeply unsettling experience.

The film’s atmosphere is meticulously crafted. The opening scenes exude peace, only to be methodically dismantled as the story unfolds. Na’s use of cinematography and sound creates an immersive experience that haunts the viewer long after the movie ends. The spiritual conflict and the breakdown of societal norms resonate deeply, making the horror more psychological than physical.

Characters in The Wailing are portrayed with complexity and depth. Kwak Do-won’s performance as Jong-gu is particularly noteworthy. His portrayal of a man grappling with immense fear and uncertainty is compelling and authentic. The supporting cast, including Hwang Jung-min and Chun Woo-hee, adds layers to the narrative, each contributing to the film’s unsettling ambiance.

As the film progresses, the narrative grows darker. The themes of spiritual strife and moral decay emerge strongly, challenging the characters and viewers alike. The final half-hour of The Wailing is intense, leaving a lasting impact that transcends mere fear. It’s a film designed to make the audience reflect deeply on faith, perception, and the human condition.

11. It Follows

• Release Date: March 13, 2015
• Director: David Robert Mitchell
• Cast: Bailey Spry, Carollette Phillips, Loren Bass and Keir Gilchrist
• Genre: Horror, Mystery, Thriller
• IMDb Rating: 6.8/10
• Runtime: 1h 40m

In It Follows, the setting of Metro Detroit adds a haunting and nostalgic vibe to the film. From an old ice cream stand on 12 Mile to the ’60s-style homes of Ferndale or Berkley, the film captures a sense of decay and eerie nostalgia. The characters, a group of teenagers with distinct Midwestern accents, play games and interact in spaces that feel authentically lived-in and slightly worn.

Unlike many horror films, It Follows builds its terror through simmering anxiety rather than outright jump scares. It focuses on the unsettling fear that lurks just out of sight, reminding viewers of life’s inevitable dangers and the relentless passage of time. This chilling atmosphere is enhanced by the performances of Maika Monroe, Keir Gilchrist, and others, who bring a palpable sense of dread to their roles.

It Follows also works as a metaphor for the fears surrounding growing up. It explores themes that resonate with audiences, articulating the transition from adolescence to adulthood and the lurking uncertainties that come with it.

12. The Babadook

• Release Date: November 28, 2014
• Director: Jennifer Kent
• Cast: Essie Davis, Noah Wiseman, Hayley McElhinney and Daniel Henshall
• Genre: Drama, Horror, Mystery
• IMDb Rating: 6.8/10
• Runtime: 1h 34m

Jennifer Kent’s debut feature, The Babadook, defies easy classification. While it fits within the horror genre due to its escalating tension and supernatural elements, categorizing it solely as horror doesn’t capture its full depth. At its core, the film explores the strained relationship between a single mother and her young son. The emotional complexities and dramatic themes push beyond traditional genre boundaries.

The film stars Essie Davis as Amelia, a mother struggling to cope with the death of her husband. Noah Wiseman plays her troubled son, Samuel, who is fixated on a monster from a mysterious book. The Babadook delves into themes of grief, parenthood, and mental health, painting a portrait of profound human fears and emotions.

Visually and narratively, The Babadook takes the audience on a journey through Amelia’s haunted psyche. The haunting presence of the Babadook—an ominous figure from Samuel’s book—serves as a metaphor for the characters’ internal struggles. The horror elements are not just for scares but underline the emotional weight of the story.

Kent’s film stands out for its ability to provoke thought and stir emotions, offering much more than mere fright. It’s a narrative that deals with real-life fears and the horror of psychological demons, making it a unique and layered story that resonates on multiple levels.

13. His House

• Release Date: October 30, 2020
• Director: Remi Weekes
• Cast: Sope Dirisu, Wunmi Mosaku, Malaika Wakoli-Abigaba and Matt Smith
• Genre: Drama, Horror, thriller
• IMDb Rating: 6.4/10
• Runtime: 1h 33m

Released in 2020, His House is directed by Remi Weekes and stars Wunmi Mosaku, Sope Dirisu, and Matt Smith. The film brings a fresh perspective to the horror genre by being unapologetically terrifying.

Right from the start, the movie grips the audience with a heart-wrenching tragedy and quickly introduces supernatural elements that keep viewers on edge. Ghosts and eerie phenomena confront the main characters, making every moment tense and filled with dread.

The story revolves around Bol and Rial, a refugee couple who have fled from war-torn South Sudan to a small town in England. Their new home, though, hides malevolent spirits that continuously haunt them.

Weekes not only focuses on the horror but also delves into the emotional and psychological struggles of the couple. Their journey is a poignant exploration of the immigrant experience, characterized by grief and trauma. The movie skillfully balances genuine scares with deep, emotional storytelling.

His House is praised for its powerful narrative and unrelenting scare factor. It stands out as a must-watch for horror enthusiasts looking for a film that delivers both fright and heartfelt moments.

14. The Haunting of Hill House

• Release Date: October 12, 2018
• Director: Mike Flanagan
• Cast: Michiel Huisman, Carla Gugino, Henry Thomas and Elizabeth Reaser
• Genre: Drama, Horror, Mystery
• IMDb Rating: 8.5/10
• Runtime: 1h

In 2018, director Mike Flanagan brought The Haunting of Hill House to life with an impressive cast including Henry Thomas, Michiel Huisman, and Carla Gugino. The show’s impact largely stems from its aesthetic, which carefully balances horror with the essence of Shirley Jackson’s classic novel.

The series employs subtlety, with monsters and ghosts often hidden off-screen or cloaked in shadows. This method enhances the psychological tension, making viewers question their own perceptions. The camera work and shot design often mimic choices from previous film adaptations, adding to the sense of unease and unpredictability.

The Haunting of Hill House masterfully uses time and pacing to build suspense. Instead of relying on quick scares, it creates disturbing scenarios that linger, allowing the audience to fully immerse in the horror. This approach makes each scene more impactful, ensuring that the tension remains long after the episode ends.

Overall, the meticulous attention to detail in creating an atmosphere of fear and uncertainty makes The Haunting of Hill House a standout in the horror genre.

15. Thanksgiving

• Release Date: November 17, 2023
• Director: Eli Roth
• Cast: Patrick Dempsey, Ty Olsson, Gina Gershon and Lynne Griffin
• Genre: Horror, Mystery, Thriller
• IMDb Rating: 6.3/10
• Runtime: 1h 46m

Thanksgiving (2023) was directed by Eli Roth and stars Patrick Dempsey, Addison Rae, Nell Verlaque, Milo Manheim, Jalen Thomas Brooks, Rick Hoffman, and Gina Gershon. The movie has an R rating.

Interestingly, Thanksgiving expands on a fake trailer created by Roth, which played before Quentin Tarantino and Robert Rodriguez’s Grindhouse double feature in 2007. Roth, who grew up in Newton, Massachusetts, close to the movie’s setting, collaborated with his childhood friend Jeff Rendell on the screenplay. Both had long wanted to see a Thanksgiving-themed horror movie that would resonate with their home state.

The wait paid off in 2023, marking Roth’s best work since Knock Knock (2015). The film features fun and creative, yet brutally shocking, kills. The horror scenes are enhanced by solid sound design and atmospheric tension, such as the surprisingly effective jump scare when Security Guard #2 is gutted with an electric knife.

One of the movie’s interesting aspects is its willingness to embrace absurdity without undermining the horror. For example, the town continues to hold its annual Thanksgiving parade despite a serial killer on the loose. This illogical decision adds an unexpected layer of dark humor without diminishing the fear factor.

Thanksgiving strikes a perfect balance between humor and horror. Roth and Rendell manage to keep an earnest tone, making sure the characters take the terrifying situations seriously. This approach prevents the movie from becoming overly ironic or sentimental.

The plot centers around a pilgrim-dressed killer who terrorizes the town, creating a scenario both ridiculous and genuinely frightening. This duality works because the characters’ genuine fear makes the audience buy into the film’s premise, leading to a horror experience that feels uniquely entertaining.

16. Fear Street Part 1: 1994

• Release Date: July 2, 2021
• Director: Leigh Janiak
• Cast: Maya Hawke, Charlene Amoia, David Thompson and Noah Bain Garret
• Genre: Drama, Horror, Mystery
• IMDb Rating: 6.2/10
• Runtime: 1h 47m

Fear Street Part 1: 1994 sets itself apart from recent family-friendly Goosebumps movies. It dives into a darker, bloodier slasher genre, showcasing its own unique identity in the world of modern horror. With a nod to classics like Scream and other obscure ‘80s slashers, the film embraces slasher history while keeping viewers intrigued by its unfolding mysteries.

The plot follows a group of teens in the town of Shadyside as they confront an ancient evil responsible for brutal murders spanning centuries. The film’s engaging supporting characters and intense, cinematic violence add layers to the story. Expect jaw-dropping moments, especially with the infamous bread slicer scene.

Fear Street Part 1: 1994 cleverly distracts the audience from deeper mysteries, paving the way for Fear Street: 1978 and Fear Street: 1666. These sequels continue to explore the story, maintaining the momentum and ambition of the trilogy. The film lays a solid foundation with its mythology, making it a memorable addition to the meta-slasher genre.

17. Gerald’s Game

• Release Date: September 29, 2017
• Director: Mike Flanagan
• Cast: Carla Gugino, Bruce Greenwood, Chiara Aurelia, Carel Struycken and Henry Thomas
• Genre: Drama, Horror, Thriller
• IMDb Rating: 6.5/10
• Runtime: 1h 43m

Directed by Mike Flanagan, Gerald’s Game is an intense thriller that has trimmed and reshaped the narrative from Stephen King’s novel to focus on central themes. This film stars Carla Gugino and Bruce Greenwood, who deliver compelling performances. Flanagan is known for his strong works in the horror genre, having directed films like Absentia, Oculus, Hush, and Ouija: Origin of Evil.

Many of Flanagan’s movies feature strong-willed female leads who often tackle significant personal struggles, a theme present in Gerald’s Game as well. The film revolves around a woman, Jessie, who is left handcuffed to a bed in a remote location, facing disturbing visions and hidden secrets. This role highlights her determination and fight for survival.

Carla Gugino’s portrayal of Jessie is particularly noteworthy for its emotional depth and resilience, while Bruce Greenwood’s performance complements hers, adding to the overall tension. Their dynamic carries much of the film’s dramatic weight, making it a standout entry in Flanagan’s filmography.

Flanagan’s skillful direction ensures that Gerald’s Game is not just another horror story but a deeper exploration of personal freedom and overcoming past traumas. His ability to draw out strong performances and focus on character-driven narratives makes this film a must-watch for fans of psychological thrillers and horror.

18. Vivarium

• Release Date: March 27, 2020
• Director: Lorcan Finnegan
• Cast: Imogen Poots, Danielle Ryan, Molly McCann and Jesse Eisenberg
• Genre: Horror, Mystery, Sci-Fi
• IMDb Rating: 5.9/10
• Runtime: 1h 37m

Vivarium (2020), directed by Lorcan Finnegan, stars Jesse Eisenberg and Imogen Poots as a couple, Tom and Gemma, navigating an unsettling real estate dilemma. The film, rated R, slips into the sci-fi horror genre with ease, reflecting influences from early David Cronenberg works.

Tom and Gemma are first-time homeowners who find themselves ensnared in a strange, uniform neighborhood. The houses are all identical, hinting at the monotonous trap they are about to fall into. The situation quickly morphs from a simple house-hunting expedition into a bizarre, surreal adventure where starting a family isn’t just anticipated, it’s enforced.

In this eerie environment, the film portrays a crumbling relationship under the strain of confinement. Tom and Gemma struggle to adapt individually, with unseen forces controlling their every move. The odd colorization and jarring sound design enhance this sense of discomfort, pushing the characters – and the audience – into a state of tension and instability.

Elements of horror and suspense gradually weave through the storyline, making the film’s atmosphere increasingly oppressive. Moments of shock and realization punctuate their ordeal, providing a sense of urgency and dread akin to the best episodes of The Twilight Zone.

The intentionally artificial setting, coupled with the couple’s deteriorating bond, creates an allegory about entrapment and the strains of forced domesticity. Vivarium remains a striking example of how genre film can reflect deeper societal issues.

19. Cargo

• Release Date: May 18, 2018
• Director: Ben Howling and Yolanda Ramke
• Cast: Simone Landers, Martin Freeman, Marlee Jane McPherson-Dobbins and Lily Anne McPherson-Dobbins
• Genre: Drama, Horror, Sci-Fi
• IMDb Rating: 6.3/10
• Runtime: 1h 45m

Cargo is a zombie apocalypse film set in the Australian Outback. This film, directed by Yolanda Ramke and Ben Howling, provides a fresh take on the genre. Martin Freeman stars as Andy, a devoted husband and father navigating the dangers of a post-apocalyptic world with his family. His wife, Kay (played by Susie Porter), and their daughter, Rosie, accompany him on a perilous journey on a houseboat. Andy’s hope for safety turns grim when Kay is bitten by a zombie, forcing them to confront a new reality filled with sorrow and disaster.

The film is noted for its atmospheric tension and emotional depth rather than relying on jump scares. The desolate Australian landscape adds to the feeling of isolation and hopelessness that permeates the movie. The narrative focuses heavily on Andy’s struggle to protect his daughter after the tragic turn of events.

One of the more unique aspects of Cargo is its depiction of zombies. Instead of traditional horror gore, the film opts for a portrayal that highlights the zombies’ suffering, presenting them as victims of a severe illness. This approach provides a nauseating yet poignant vision, with the infected displaying waxy skin and oozing bodily fluids.

While not the scariest entry in the zombie genre, Cargo is praised for its emotional weight and impressive special effects. The movie successfully swaps horror for a profound sense of sadness, making it a memorable and impactful viewing experience. Fans of the genre seeking something different and more emotionally driven will find Cargo a worthwhile watch.

20. Under the Shadow

• Release Date: October 7, 2016
• Director: Babak Anvari
• Cast: Narges Rashidi, Avin Manshadi, Bobby Naderi and Arash Marandi
• Genre: Drama, Fantasy, Horror
• IMDb Rating: 6.8/10
• Runtime: 1h 24m

Set in 1980s Tehran, Under the Shadow combines the tension of war with supernatural horror. Babak Anvari, who has personal ties to Iran’s post-revolution period, infuses the film with a sense of suffocation and unease unique to that era. The movie centers on Shideh, played by Narges Rashidi, a resilient mother navigating both the political turmoil of the time and a malevolent spirit haunting her home.

The film highlights feminist themes, portraying Shideh’s defiance of the oppressive regime through simple acts like watching a banned Jane Fonda workout video. This act of rebellion mirrors her larger struggle against the supernatural forces threatening her family.

Under the Shadow stands out not only for its gripping storyline but also for its profound political and social commentary, making it a must-watch for fans of horror with depth.

21. Cam

• Release Date: November 16, 2018
• Director: Daniel Goldhaber
• Cast: Madeline Brewer, Patch Darragh, Melora Walters and Devin Druid
• Genre: Drama, Horror, Mystery
• IMDb Rating: 5.9/10
• Runtime: 1h 34m

Daniel Goldhaber’s 2018 film Cam dives into the unsettling separation between our online personas and our real lives. Based on Isa Mazzei’s real experiences as a sex worker, the film tells the story of Alice, a camgirl played by Madeline Brewer. Alice’s life revolves around maintaining and boosting her online popularity, which is crucial for her economic survival. She performs extreme stunts and adheres to a strict set of personal guidelines about what she will and won’t do on camera.

Alice manages to support her family financially, unbeknownst to them about the nature of her work. However, her constant push to climb the ranks in the camgirl world drives her to do more and more. This struggle to balance real-life responsibilities and her digital identity is a core theme of the film.

The horror in Cam is rooted in the loss of control over one’s digital self. When a doppelgänger begins performing under Alice’s screen name and surpasses her in the rankings by doing things Alice refused to do, the film explores the vulnerability of online identities. The script, written by Mazzei, does not judge Alice’s profession. Instead, it presents an authentic and respectful look at the challenges faced by sex workers, especially the struggle for respect and understanding from others.

Goldhaber and Mazzei effectively highlight the dangers of the digital world, where identities can be stolen and manipulated with devastating consequences. The tension in the film comes not from the mystery of who the imposter is but from the harsh reality of how exposed and powerless online personas can be. This depiction reinforces the idea that the more lifelike our online selves become, the further they drift from our control. This film masterfully shows the cold and brutal side of the internet, where the lines between reality and digital existence blur to a chilling degree.

22. The Ritual

• Release Date: February 9, 2018
• Director: David Bruckner
• Cast: Rafe Spall, Arsher Ali, Robert James-Collier and Sam Troughton
• Genre: Horror, Mystery, Thriller
• IMDb Rating: 6.3/10
• Runtime: 1h 34m

The story revolves around a group of lifelong friends who are mourning the loss of a friend killed during a liquor store robbery. Luke, played by Rafe Spall, feels a heavy burden of guilt as he was inside the store but paralyzed with fear, unable to help his friend. This guilt creates tension among the friends, and their trip to the Swedish wilderness serves as a test of their bond and whether it can be mended.

The film excels in its technical aspects, particularly in its imagery and sound design. Andrew Shulkind’s cinematography features crisp and clear visuals, avoiding the overly dark look common in modern horror films. The forest scenes are visually stunning, with shots of trees resembling intricate Celtic knots, giving a sense of hidden secrets within the dense foliage.

Director David Bruckner, known for his work in horror anthologies like V/H/S and The Signal, demonstrates a keen ability to build suspense through suggestion and subtlety. The sound design emphasizes even the smallest noises, such as rustling leaves and creaking branches, adding to the unsettling atmosphere.

The characters, while somewhat thinly developed, are central to the film’s plot. Their journey into the wilderness is less about honoring their dead friend and more about testing the limits of their friendship and dealing with their unresolved tensions. The tension builds as they navigate the forest, facing both external and internal horrors.

Despite some criticisms of the character development and the film’s climax not maintaining the tension of the earlier acts, The Ritual remains a visually impressive film. One of its standout features is the monster design, which is memorable and unique, making the film worth watching for that element alone.

The combination of strong technical execution, particularly in visuals and sound, with a story that explores themes of guilt, friendship, and survival, makes The Ritual a notable entry in the horror genre. Fans of atmospheric horror with a focus on psychological tension may find this film particularly engaging.

23. Fear Street Part Three: 1666

• Release Date: July 16, 2021
• Director: Leigh Janiak
• Cast: Kiana Madeira, Elizabeth Scopel, Benjamin Flores Jr. and Randy Havens
• Genre: Horror, Mystery
• IMDb Rating: 6.6/10
• Runtime: 1h 54m

Fear Street Part Three: 1666 takes viewers back to the 17th century, uncovering the origin of the curse that has haunted Shadyside for centuries. Directed by Leigh Janiak, the film features a talented cast including Kiana Madeira, Ashley Zukerman, Gillian Jacobs, Olivia Scott Welch, Benjamin Flores Jr., and Darrell Britt-Gibson.

Released in 2021 and rated R, this final installment in the Fear Street trilogy stands apart from typical slasher films. While it includes the expected gore and suspense, the series combines elements of supernatural mystery and historical drama. Unlike straightforward horror flicks, the trilogy delves into themes such as scapegoating, privilege, and corrupted history.

The film begins with Sarah Fier’s story, giving a glimpse into the events that led to the curse on Shadyside. This period setting is a stark contrast to the first two movies, which were set in the 1990s and 1970s. The mix of horror and historical elements adds a unique layer to the narrative, even if it stumbles at times in capturing the era’s complexities.

The movie effectively maintains a fast-paced, engaging plot. Its strength lies in its ability to keep the audience entertained while exposing a deeper message about societal issues. The trilogy’s characteristic absurdities are present, but they don’t detract significantly from the overall experience.

This final chapter wraps up the overarching story, tying together the different timelines and narratives from the previous films. It’s a fitting conclusion to a series that has not only entertained but also provoked thought about deeper, meaningful themes.

24. We Have A Ghost

• Release Date: February 24, 2023
• Director: Christopher Landon
• Cast: Jahi Di’Allo Winston, David Harbour, Anthony Mackie and Erica Ash
• Genre: Adventure, Comedy, Family
• IMDb Rating: 6.1/10
• Runtime: 2h 6m

Christopher Landon, known for Happy Death Day and Freaky, brings his unique blend of humor and horror to We Have a Ghost. In this film, Landon aims to combine fun and emotional depth, stretching his skillset to deliver an entertaining ghost story. The movie follows the genre’s conventions while adding a humorous twist, making it appealing to a broad audience.

We Have a Ghost is notable for its ambitious two-hour runtime filled with spooky and humorous moments. The film stars David Harbour, Jahi Winston, and Anthony Mackie, whose performances add depth to the narrative. Despite its attempt to balance multiple plot elements, some believe the film tries to handle too many themes simultaneously, impacting its overall cohesion.

In short, We Have a Ghost exemplifies Landon’s ability to innovate within the horror-comedy genre. Although it might overextend in some aspects, it remains a fun addition to his filmography.

25. Ravenous

• Release Date: March 19, 1999
• Director: Antonia Bird
• Cast: Guy Pearce, Robert Carlyle, David Arquette and Jeremy Davies
• Genre: Adventure, Drama, Horror
• IMDb Rating: 6.9/10
• Runtime: 1h 41m

Ravenous is a notable entry in the indie zombie drama subgenre. Despite not catching a lot of mainstream attention, it gained recognition by winning the Best Canadian Film award at the Toronto International Film Festival. The film is in French, which may have affected its broader appeal, yet it remains a well-made drama thriller that appeals to zombie genre enthusiasts.

The story features a unique interpretation of zombification. The infected resemble typical zombies but retain some elements of a primitive culture. This aspect adds depth to the characters and the story, presenting a more somber and reflective take on the usual zombie narrative. The atmosphere of the movie is a blend of suspense and melancholy, aided by strong performances from its relatively unknown cast.

The portrayal of the infected as “lost souls” provides a fresh twist to typical zombie films, focusing more on the emotional and psychological impact of the outbreak. The film excels in building a sense of loss and sorrow, making Ravenous a compelling watch for those interested in a different kind of zombie experience.

26. Ouija: Origin of Evil

• Release Date: October 21, 2016
• Director: Mike Flanagan
• Cast: Annalise Basso, Elizabeth Reaser, Lulu Wilson and Henry Thomas
• Genre: Drama, Horror, Mystery
• IMDb Rating: 6.2/10
• Runtime: 1h 39m

In 2016, Ouija: Origin of Evil brought a fresh take on the horror genre, thanks to director Mike Flanagan. Unlike its predecessor, this movie incorporated the distinct look and feel of 1960s horror. Flanagan employed the vintage Universal logo and gave the film a sepia-pastel aesthetic, creating an authentic period vibe. Despite these creative choices, the film’s success hinged on its tone and performances.

The cast, including Elizabeth Reaser and Lulu Wilson, delivered compelling performances, aligning perfectly with Flanagan’s vision. The movie managed to blend modern horror elements with classic stylistic approaches, appealing to both genre enthusiasts and casual viewers. This strategic combination resulted in a PG-13 film that was engaging and visually striking. Flanagan’s expertise in the genre shone through, making Ouija: Origin of Evil a notable entry in horror cinema.

27. The Pope’s Exorcist

• Release Date: April 14, 2023
• Director: Julius Avery
• Cast: Russell Crowe, Daniel Zovatto, Alexandra Essoe and Franco Nero
• Genre: Horror, Thriller
• IMDb Rating: 6.1/10
• Runtime: 1h 43m

The Pope’s Exorcist targets those who enjoy classic horror films. Directed by Julius Avery and starring Russell Crowe, this film follows a conventional supernatural horror story. At its center is Father Gabriele Amorth, played confidently by Crowe. His portrayal of Amorth, a character inspired by a real-life Catholic priest known for his exorcisms, is compelling and charismatic.

In this film, Amorth is seen as a rebellious detective from the 1980s. He is not fully aligned with the modern church’s ways but carries out the Pope’s direct orders to combat evil. The plot takes Amorth to Spain, where he faces a standard possession scenario. Unfortunately, the movie doesn’t fully utilize Alexandra Essoe’s acting skills, known for her remarkable roles in other horror films.

Crowe’s performance stands out, offering a lively and almost humorous character reminiscent of Peter Venkman from Ghostbusters. His presence brings a dose of entertainment and keeps the audience engaged. Each scene with Crowe adds a layer of enjoyment, making the film appealing despite its predictable storyline.

28. Fear Street Part Two: 1978

• Release Date: July 9, 2021
• Director: Leigh Janiak
• Cast: Meghan Packer, Gillian Jacobs, Matthew Zuk and Kiana Madeira
• Genre: Drama, Horror, Mystery
• IMDb Rating: 6.7/10
• Runtime: 1h 49m

Fear Street Part Two: 1978 continues the story started in Fear Street: 1994. Directed by Leigh Janiak, this installment dives deeper into the cursed town of Shadyside. The film stars Sadie Sink, Emily Rudd, and Ryan Simpkins, who lead a cast of characters caught in a deadly summer camp scenario.

Set in 1978, the movie focuses on the summer camp of Nightwing, where teens face an evil force tied to the witch Sarah Fier. As the campers and counselors fight for survival, the horror elements are heightened by the retro aesthetic and the sense of nostalgia it invokes.

The movie maintains the gruesome deaths and lively visuals seen in the previous part. However, it struggles with character depth and variety. Despite this, the film makes up for it with a thrilling setup for its sequel, Fear Street: 1666. The R-rated slasher film is known for its intense scenes and a gritty portrayal of the horror genre.

29. Anaconda

• Release Date: April 11, 1997
• Director: Luis Llosa
• Cast: Jennifer Lopez, Ice Cube, Jon Voight, Eric Stoltz and Jonathan Hyde
• Genre: Action, Adventure, Horror
• IMDb Rating: 4.9/10
• Runtime: 1h 29m

Jennifer Lopez and Ice Cube head the cast in this 1997 creature feature. Directed by Luis Llosa, Anaconda takes viewers on a tense expedition into the Amazon. This film leans heavily on its pulpy nature, characteristic of the creature features popular in the late 90s.

With a budget of $45 million, Anaconda boasted impressive practical effects and animatronics for its time. The film’s special effects still hold some appeal, displaying a blend of makeup artistry and animatronic craftsmanship. However, the occasional use of CGI shows its age with some less convincing visuals.

The plot centers around a group of researchers who encounter a massive anaconda. Jon Voight delivers a memorable performance, adding to the film’s cult classic status. One of the standout moments is Voight’s character being swallowed and regurgitated by the giant snake, showcasing the film’s emphasis on spectacle over subtlety.

Despite its sometimes over-the-top execution, Anaconda remains a nostalgic piece for many, highlighting the era’s penchant for big-budget, special-effects-driven films. The combination of a well-known cast and an adventurous storyline makes it a noteworthy entry in the horror genre of its time.

30. Oats Studio – Vol. 1

• Release Date: January 1, 2017
• Director: Neill Blomkamp
• Cast: Toby Hargrave, Sigourney Weaver, Eugene Khumbanyiwa and Robert Hobbs
• Genre: Short, Horror, Sci-Fi
• IMDb Rating: 6.3/10
• Runtime: 20m

Originally introduced to audiences on YouTube in 2017, “Oats Studio – Vol. 1” is a series of experimental sci-fi and horror short films. Directed by Neill Blomkamp, known for District 9, this collection contains impressive special effects and unique storytelling. The films serve as potential pitches for feature-length projects and allow Blomkamp to explore new ideas.

One standout film, Rakka, envisions Earth overtaken by telepathic reptilian aliens. Human survivors struggle against these powerful invaders. Another notable short, Firebase, places a soldier in a Southeast Asian warzone where he battles a bizarre entity called the “River God,” who disrupts reality itself.

One of the more memorable shorts in this collection is Zygote. Featuring Dakota Fanning as a researcher, the story takes place in an isolated facility where she tries to escape a grotesque monster made up of numerous human limbs. The creature’s design is uniquely terrifying, evoking memories of The Thing and the horror game Carrion. Zygote’s chilling atmosphere and intense scenes make it a standout piece in the collection.

Blomkamp’s work in Oats Studio – Vol. 1 showcases his ability to blend practical effects with engaging narratives, making each short film both visually captivating and thought-provoking.

31. Apostle

• Release Date: October 12, 2018
• Director: Gareth Evans
• Cast: Dan Stevens, Richard Elfyn, Paul Higgins and Bill Milner
• Genre: Drama, Fantasy, Horror
• IMDb Rating: 6.3/10
• Runtime: 2h 10m

Gareth Evans, known for his action-packed The Raid series, ventures into horror with Apostle, showcasing his deft touch in blending visual flair with intense storytelling. In this film, he explores the chilling concept of a rural cult infiltration, drawing inevitable comparisons to classics like The Wicker Man.

Thomas Richardson, portrayed by Dan Stevens, arrives at a remote island cult community to rescue his kidnapped sister. The compound, led by the enigmatic Prophet Malcolm, played by Michael Sheen, is shrouded in mystery and foreboding. As Thomas delves deeper, he uncovers secrets that are both supernatural and brutally human.

32. The Platform

• Release Date: March 20, 2020
• Director: Galder Gaztelu-Urrutia
• Cast: Ivan Massagué, Zorion Eguileor, Antonia San Juan and Emilio Buale
• Genre: Horror, Sci-Fi, Thriller
• IMDb Rating: 7.0/10
• Runtime: 1h 34m

The Platform stands out with its striking and minimalistic premise, which adds to its potency. The film is set in a vertical prison where inmates survive on food delivered via a descending platform. This platform carries a variety of meals, but by the time it reaches the lower levels, the food is often scarce and repulsive. The film leaves much to the viewers’ imagination, such as the reason behind this cruel system or the mechanics of its operation. This ambiguous environment fuels the story, focusing on how inmates react to their harsh reality.

At the heart of this narrative is the exploration of human nature. Different characters face the same grim circumstances but respond in varied ways. Some exhibit selfishness and predatory behavior, while others display moments of altruism and cooperation. The movie constantly shifts the prisoners’ positions within the structure, challenging them to either improve their situation or succumb to distrust and exploitation of others. This constant movement is crucial as it gives prisoners a sliver of hope or fuels further despair.

One of the standout aspects of The Platform is how it intersperses scenes of chefs meticulously preparing meals. These scenes contrast sharply with the subsequent chaos and desperation that ensues as the food descends. This juxtaposition highlights the disparity between the world above and the trapped individuals below, adding another layer of meaning to the narrative.

The film thrives on its minimalistic dialogue and the atmosphere it creates. By withholding unnecessary details, it forces viewers to focus on the characters and their interactions. There is an underlying theme of social commentary, reflecting on the disparities and injustices present in society. The prisoners’ behavior becomes a microcosm of larger societal issues, effectively using the setting to mirror real-world dynamics.

The Platform does not shy away from depicting the brutality and savagery that can emerge when resources are limited. The tension is palpable as characters decide whether to help each other survive or to prioritize their own survival at any cost. This high-stakes environment keeps the audience on edge, wondering what choices each character will make.

The film’s visual style enhances its storytelling. The stark, vertical prison is almost a character in itself, with its bleak and oppressive design. The descent of the platform is depicted with a sense of dread, each level bringing a new layer of desperation. The sight of untouched food at the top and the scraps at the bottom is a powerful visual metaphor for inequality.

The Platform manages to blend horror with a thought-provoking narrative, making it memorable not just for its scares but for the questions it raises. It reflects on human nature, survival, and moral dilemmas in a way that resonates deeply with viewers. The moments of hope and the pervasive sense of doom create a complex emotional experience. The film’s ability to provoke thought and stir emotions while maintaining an engaging plot is a testament to its unique storytelling.

In summary, The Platform is a powerful film that uses its minimalist approach to maximum effect. Its exploration of human behavior under extreme conditions, combined with a distinctive visual and narrative style, makes it a standout in modern cinema.

33. The Babysitter

• Release Date: October 13, 2017
• Director: McG
• Cast: Judah Lewis, Samara Weaving, Robbie Amell and Hana Mae Lee
• Genre: Comedy, Horror
• IMDb Rating: 6.4/10
• Runtime: 1h 25m

The Babysitter captures the spirit of the ’80s slasher films with a contemporary twist. The film presents a blend of humor and horror, driven by charismatic teenage characters. Samara Weaving shines as the babysitter, a dream girl turned nightmare for Judah Lewis’s character. Lewis portrays a 12-year-old who discovers his babysitter’s sinister plans.

The movie’s high energy stems from its stylish direction and gory scenes. Robbie Amell stands out as an almost invincible football player, adding to the film’s dynamic performances. Clocking in at 85 minutes, The Babysitter keeps a brisk pace and offers plenty of laughs alongside its thrills. It’s an entertaining and vivid entry in Netflix’s horror lineup, providing a fun ride for fans of the genre.

34. Verónica

• Release Date: January 5, 2018
• Director: Paco Plaza
• Cast: Sandra Escacena, Bruna González, Claudia Placer and Iván Chavero
• Genre: Horror, Mystery
• IMDb Rating: 6.2/10
• Runtime: 1h 45m

Paco Plaza, known for his influential 2007 found footage horror film, REC, ventured into new territory with Verónica. This film marked a departure from the REC series, exploring a spirit and demonic possession theme reminiscent of Witchboard. The story centers on a 15-year-old Spanish student, played by Sandra Escacena, who accidentally invites an evil presence into her home while performing a ouija board seance with friends.

The film excels in its visual presentation, capturing the essence of 1991 Spain, although some scenes suffer from being overly dark. The historical setting adds a unique backdrop to the story. Charismatic performances by the child actors enhance the film, although the plot treads familiar ground. Elements borrowed from Ouija, The Last Exorcism, and numerous other possession films make the story feel repetitive at times.

Despite its derivative nature, Verónica manages to be a competent horror film. It didn’t turn out to be the groundbreaking work one might expect from Plaza, but it holds its own within the genre. The film’s strength lies in its execution and performance, contributing to its standing as a notable entry in horror cinema.

35. 1922

• Release Date: September 23, 2017
• Director: Zak Hilditch
• Cast: Thomas Jane, Molly Parker, Dylan Schmid, Kaitlyn Bernard and Neal McDonough
• Genre: Crime, Drama, Horror
• IMDb Rating: 6.2/10
• Runtime: 1h 42m

Thomas Jane delivers a remarkable performance in this gothic tale set during the Depression in Middle America. The story unfolds as a confession by a husband, clearly haunted by a dreadful crime from the start. His wife, portrayed by Molly Parker, wishes to sell her inherited land rather than work on it. Jane’s character, a simple field hand, persuades their son, played by Dylan Schmid, to help him with her brutal murder.

The true horror isn’t in the killing itself, but in the torment of living with the guilt. The movie centers on a narrator who faces a relentless and inevitable torment, filled with eerie imagery and a haunting atmosphere.

This adaptation of Stephen King’s work stands out with its gripping plot and strong performances from notable character actors. The suspense and unease are palpable throughout, making it a compelling watch for horror enthusiasts.

36. The Conjuring 2

• Release Date: June 10, 2016
• Director: James Wan
• Cast: Patrick Wilson, Vera Farmiga, Madison Wolfe, Frances O’Connor and Lauren Esposito
• Genre: Horror, Mystery, Thriller
• IMDb Rating: 7.3/10
• Runtime: 2h 14m

The Conjuring 2 sets itself up as a thrilling amusement ride in the horror genre. Despite its entertaining jumps and scares, the movie struggles to maintain a cohesive plot. Ed and Lorraine Warren, played by Patrick Wilson and Vera Farmiga, return to assist the Hodgson family. The Hodgsons’ home is in a dilapidated state, with peeling walls and cracked woodwork, symbolizing their dire economic situation.

Ed explains to Peggy Hodgson that evil spirits are drawn to negative energy, especially when people are at their lowest points. This idea plays out through Janet, the youngest daughter, who becomes the main focus of the malevolent entities. Janet’s situation is grim—she feels isolated and lonely, cut off from her school friends due to the supernatural events plaguing her family. While the desolation in Janet’s life is discussed, it is not deeply explored on screen, making it more of a background detail than a developed theme.

The film shifts focus significantly to Lorraine’s premonitions of Ed’s death, adding tension but complicating the narrative. The script, crafted by Chad and Carey Hayes along with James Wan and David Leslie Johnson, sometimes overextends, balancing multiple plot points that don’t always mesh seamlessly.

The Conjuring 2 is effective in its scare tactics and atmospheric tension. Yet, it could benefit from a tighter script that fully develops its themes and character struggles, providing a more profound and cohesive story.

37. Little Evil

• Release Date: September 1, 2017
• Director: Eli Craig
• Cast: Evangeline Lilly, Owen Atlas, Adam Scott and Marcus Terrell Smith
• Genre: Comedy, Fantasy, Horror
• IMDb Rating: 5.7/10
• Runtime: 1h 34m

Eli Craig, known for the horror comedy Tucker & Dale vs. Evil, returned with a Netflix exclusive, Little Evil. This film is a playful take on “evil kid” tropes, inspired heavily by The Omen. Adam Scott portrays a stepfather who falls into a fast-paced romance and marriage. His new stepson, however, is a little unsettling, often wearing an Angus Young costume and bringing chaos wherever he goes.

Evangeline Lilly plays the boy’s mother, a character whose true intentions remain unclear. Is she aware her child might be the spawn of Satan, or is she simply ignoring the signs? The film’s supporting cast is impressive, featuring actors like Donald Faison, Chris D’Elia, and Clancy Brown.

While Little Evil attempts to balance humor and horror, it doesn’t fully commit to either. The film’s final act, however, takes an unexpected turn, offering a new perspective on the demonic child. This twist adds interest but does not entirely smooth out the movie’s unevenness.

Despite its flaws, Little Evil serves as a decent return for Eli Craig.

38. #Alive

• Release Date: September 8, 2020
• Director: Il Cho and Jo Il Hyung
• Cast: Yoo Ah-in, Park Shin-hye, Jeon Bae-soo and Lee Hyun-wook
• Genre: Action, Drama, Horror
• IMDb Rating: 6.3/10
• Runtime: 1h 38m

In 2020, a new zombie film from South Korea caught the attention of horror fans. #Alive revolves around a young man who unwittingly gets isolated in his apartment during a sudden zombie outbreak. Immersed in his online world, he fails to realize the chaos unfolding outside. When he finally disconnects from his devices, he must devise a plan to escape his now perilous home.

This movie, directed by Cho Il-hyung, stars Yoo Ah-in as the lone survivor and Park Shin-hye as another person seeking safety. Their performances bring tension and emotion to the story as they try to connect and survive amidst the horror.

Unlike some overblown zombie flicks, #Alive offers a concise and focused narrative. The protagonist’s journey requires him to rappel down his apartment building, encountering danger at every turn, while searching for other survivors. This sense of isolation and desperation makes the film relatable, especially during times of global uncertainty.

Fans of the World War Z novel will find similarities in the story, which mirrors a chapter from the book featuring a gamer oblivious to an apocalypse. Yet, #Alive stands on its own with a fresh setting and unique challenges. It’s a gripping and timely addition to the zombie genre, streamlined for an intense viewing experience.

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